trampolining.

like pretty much everything else I've ever attempted,
this started out as one thing, and evolved into another.
daniel of 23-yrs, wait-listed in California's central valley. makes music with a revolving (not always revolting) group of noisemakers, frequently called Troubled By Insects--this is about those sounds and noise; also, infrequently related visuals, moving images, and words...and all sorts of nonsense otherwise...web-accoutrements, et cetera, whatever, amen. for the Internet is such an interesting and magical place.
Email: troubledbyinsects.music@gmail.com | myspace | virb | twitter | last.fm |
AIM: motsfaux | Catalogued_Image Project | DCLND 2 ST. | ExtraTeeth |
| MPS: The One_Frame Project
Nov 06
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Roll 006: Photo 005 (D. Schultz, 2009) The upside-down ghost.

Roll 006: Photo 005 (D. Schultz, 2009)

The upside-down ghost.

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hollisbrownthornton: Vote on Hollis Brown Thornton’s Black Panther All right, Miami Vice meets wolf T… but with a black panther. Maybe? Maybe not?? If you have a second to vote, the site connects with Facebook, so no unnecessary sign ups. This is the last day…. Thanks!!! DOOOO IT.

hollisbrownthornton:

Vote on Hollis Brown Thornton’s Black Panther

All right, Miami Vice meets wolf T… but with a black panther. Maybe? Maybe not?? If you have a second to vote, the site connects with Facebook, so no unnecessary sign ups. This is the last day…. Thanks!!!

DOOOO IT.

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Nov 05
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vintagedaydream: (via Vintage Daydream) Stephie, you’re the jamz.This reminds me of Quiet City, for some reason.

vintagedaydream: (via Vintage Daydream)

Stephie, you’re the jamz.
This reminds me of Quiet City, for some reason.

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Roll 006: Photo 004 (D. Schultz, 2009) Mike slashing prices(!) at the yardsale, Fresno, CA.

Roll 006: Photo 004 (D. Schultz, 2009)

Mike slashing prices(!) at the yardsale, Fresno, CA.

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Nov 04
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Roll 006: Photo 003 (D. Schultz, 2009) Mike & the yardsale, Fresno, CA.

Roll 006: Photo 003 (D. Schultz, 2009)

Mike & the yardsale, Fresno, CA.

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Roll 006: Photo 002 (D. Schultz, 2009) This is how I used to occupy my time after bringing home meals from Robertito’s.Inspired by the cup Vanessa Ferlito’s drinking out of at the beginning of Death Proof.

Roll 006: Photo 002 (D. Schultz, 2009)

This is how I used to occupy my time after bringing home meals from Robertito’s.
Inspired by the cup Vanessa Ferlito’s drinking out of at the beginning of Death Proof.

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“ Because if it’s not love then it’s the bomb, the bomb, the bomb, the bomb, the bomb, the bomb, the bomb that will bring us together.
—

The Smiths (via claytoncubitt)

reblogged for being some of the truest words ever sung. ever.

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Nov 03
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Roll 006: Photo 001 (D. Schultz, 2009) Pre-Mountain Festival @ the Mulberrry House, Tehachapi, CA. (GPOYT) My brother and I usually get dressed to the nines to go to the hometown carnival.

Roll 006: Photo 001 (D. Schultz, 2009)

Pre-Mountain Festival @ the Mulberrry House, Tehachapi, CA. (GPOYT)

My brother and I usually get dressed to the nines to go to the hometown carnival.

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Nov 02
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“ Today’s generation faces all this and says,”I don’t want to spend my life the way my family and their friends have. I want to do something, to create, to be me, to ‘do my own thing,’ to live. The older generation doesn’t understand and worse doesn’t want to. I don’t want to be just a piece of data to be fed into a computer or statistic in a public opinion poll, just a voter carrying a credit card.” To the young the world seems insane and falling apart.
— Saul Alinsky (via britreed:newleft)
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3000km:temporaryvision: Uta BarthGround #21992-1993colour photograph on panel68.5 x 76 cm “While [her photographs] record their subjects in sharply objective archival detail, Barth’s images of interiors, buildings, suburban roads or natural environments are often out of focus, cropped and apparently empty of any foreground subject. What emerges from this reduction and abstraction of subject matter is a body of photographs evocative of great moments in the history of painting, or of a cinematic ambiance.” [via]

3000km:temporaryvision:

Uta Barth
Ground #2
1992-1993
colour photograph on panel
68.5 x 76 cm

“While [her photographs] record their subjects in sharply objective archival detail, Barth’s images of interiors, buildings, suburban roads or natural environments are often out of focus, cropped and apparently empty of any foreground subject. What emerges from this reduction and abstraction of subject matter is a body of photographs evocative of great moments in the history of painting, or of a cinematic ambiance.” [via]

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Creative Commons License
This work by Daniel Schultz is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License.